Author: Antonio Jimenez Marin

Antonio finishes his first book of extended techniques for young trombonists. A collection of trombone sounds inspired by nature, the city and the fascinating and rich sound world that surrounds children. The concert duets will be premiered next year (6th of March) in the new concert series for young audiences at the Vera Oeri Bibliothek […]

New concert dates have been announced for the family concert “Antonio Tromboncino”. The new music theater for children (4+) will be presented at the end of this year at the “After Cage” Festival in Pamplona (northern Spain) and “Musik Box”, the new concert series at the Vera Oeri Bibliothek in Basel. October 2023 at “After […]

28 January 2023 Family concert. Antonio premieres his own “Antonio Tromboncino” in Klaus-Linder Saal, Basel. A dramatic shipwreck is the standpoint for this music theater journey where the protagonist reorients himself through the sound of different instruments such as alphorn, conch shell, digeridoo and finally trombone. Thank you #DMR for supporting Antonio on this project! […]

22 October 2022 Antonio Jimenez Marin will perform “The Green Lion eats the Sun” (2014) by Australian composer Liza LIM at the Musik-Akademie Basel on Saturday the 22nd October 2022.  Antonio plays on a double-bell instrument completely customized by American brass builder Kevin Toksöz Fairbairn. Thank you #DMR for supporting Antonio on this very special […]

23 September 2022 New work for voice soprano and trombone, based on the famous “Karawane” from Hugo Ball (1886-1927) and a nonsense compilation of recent words from the world of news. Under the tittle Karawane, Ball´s text reinvented a meaningless language, also known as Lautsprache. Written for the singer Viviane Singer and Antonio himself, this […]

23 October 2019 Antonio Jiménez Marín pays tribute to Ben Johnston. The American composer Benjamin Burwell Johnston died in July this year at the age of 93. He was best known for extending Harry Partch´s experiments in just intonation tuning to traditional instruments through his system of notation. Having studied with the trombone soloist and […]